Sunday, March 5, 2017

TERRA COTTA OF 'RARH' BENGAL - FROM MY TRAVEL DIARY - IX

GAUR- PANDUA-BARONAGAR -SRIBATI

When I re-visited my Blog written after a trip to the above places in 2012, I noticed several photos are just not opening.I worked for an hour trying to  re-insert the photos which were part of the blog. Yet , it was found corrupted. Hence, I have re-produced that blog under a fresh title.

A friend of mine  requested me to post 15 best photographs from the ones we have taken during our trip to 'Rarh' Bengal in flickr/kodak/picassa. It is a difficult choice to make.Besides, I am slow about editing and often I work with writing blogs as a target.

Anyway, as I was progressing with listing and PSing the photos, I  picked up a few from our albums for sharing the same with my friends and relatives.I started with  a mosque , which I thought is the best among the Muslim terra cotta architecture we saw.

Among the  work in  Muslim terra cotta architecture of medieval Bengal at Gaur , I have selected two as the most representative ones :



Lottan Masjid. 1475 AD ( 500+ years old !) 
Built @ the behest of a courtesan.
Attributed to Sultan Yusuf Shah.
Slope of the roof domes,extension on the far end and terra cotta motifs very impressive.
( Photo by RC )



Pillars & Arch in a monument under restoration @ Gaur.
( In absence of notice from ASI , no details were available.)
Grand view of such displays, when all the coloured tiles were intact 
can be imagined by the viewers.



Terra cotta decoration on Western wall @ Adina Masjid built by 
Sultan Sikandar Shah between 1364-74 AD,
supposedly the largest in Asia.
Simply majestic !

The history of construction of this huge Masjid stares at your eyes as you come across scores of Hindu deities abounding the structure ! But, this subject can be basis of another blog. Here we  celebrate the great work of the artisans of the medieval Bengal who contributed to aesthetics of our architecture.

No caption needed . 
From one of the pillars of the gate to the Nave.



Terra cotta and other temples of Baronagar were overwhelming .'Char Bangla' - the complex with four temples - demonstrate the height of aesthetics this region reached during tenure of Rani Bhavani.These temples are maintained by ASI. Gangeswar temple, a little away from the Ganges is a small 'JorBangla' temple with intricate details. This one is maintained by CAST. Besides these five, which are well-known , there are a few dilapidated temples which have  remarkable stucco work.

  
LH - Krsna kills Kansaraj as Balaram looks on & cheers. RH - Krsna kills the 'mahut' of Kubalayapeerh while Balaram tackes the elephant. Later, Krsna would kill the elephant.
Baronagar. 1755 AD . ( Photo by RC)

Ravan had a special place in the heart of the person/s who decided on depiction of Ramayana scenes in Charbangla and Gangeswar temples. Those who are interested in more on this aspect may pl open : http://www.flickr.com/photos/maulindu/4054539545/in/set-72157622562648829/. View this Ravan, placed separately, armed and dressed regally.



Those at Sribati can be called cute. I must add that villagers of Sribati were very bitter about indifference of Govt regd. support to the maintenance efforts . They do not get even 1 rupee for removal of growth after every monsoon. These temples have panels with lots of stories to tell . Let us try to contribute to the preservation of these temples .


This panel, placed centrally above one of the arches of octagonal panel, has no figure of mythology !



The eternal battle between Shakti & Asura.















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